Prof. Dr. Raji C. Steineck

Fakultäten » Philosophische Fakultät » Ostasiatisches Seminar » Japanologie » Prof. Dr. Raji C. Steineck

Current research projects

Project leader	Project title
Gefter	Aspect in Japanese
Herrmann	The construction of famous places (meisho) in early modern Japanese travel guides
Hüllein Steineck	Normative Effects of the Concept of „Health“ on Bioethical Discussion and the Creation of New Laws in Japan from the Revision of the Eugenic Protection Law (1996) to the Health Promotion Law (2003)
Katsube	Narrative Semiotics of Aesthetic Nationalism: Decoding Okakura Kakuzô’s History of Japanese Art through the Actantial Model of A.J. Greimas
Mittmann	Yamagata Bantô’s lifework Yume no shiro: An attempt to reorganize the knowledge available to Japan.
Mittmann Biontino	Perceptions of “the other” in Korea and Japan
Müller	Zen and japanese philosophy: The significance of Dōgen for the Kyōto school
	Writing, Engagement, Relevance: Manifestations of Socio-political Responsibility in Debates and Fiction of the Japanese Literary Intelligentsia
	History of Idleness and Perception of Time in Japan
Steineck	Technology and Ethics: Lessons from Japanese discourses
	Book Project: The Study of Time XIV: Origins and Futures
	Notions and Images of Japanese Philosophy
	Symbolic Forms and Functions: Developing Cultural Philosophy through the Critical Study of Japanese Sources
Steineck Kaufmann	Structural Analysis of Japanese Buddhist Texts
Steineck Lange Kaufmann	Book Project: Modern Japanese Philosophy

Completed research projects

Project leader	Project title
Lange	The Overcoming of the Subject – Nishida Kitarôs Way to Ideology
Müller	Torn Conscience: Repetition and Difference in the Self-Perception of Japanese Intellectuals in Pre- and Postwar Japan
Steineck	Structural Analysis of Japanese Literary and Philosophical Texts: Narration and Persuasion
	Book Project: The Study of Time XIII: Time - Limits and Constraints
	Japanese Buddhist Objects in European Museums
Tan	Intermediate Zones. The Processes of Localization in Ōba Minako’s Work