| Project leader |
Project title |
| Beckmann |
«MAN MUSS EBEN ALLES SAMMELN» Der Zürcher Botaniker und Forschungsreisende Hans Schinz und seine ethnographische Sammlung Südwestafrika (1884–1887) |
| Bentley |
Ritual performance and collective identity among the Lepcha |
| Biasio |
Ethiopian Collection of Alfred Ilg |
|
Bedouin in the Negev – From tent to house |
| Brauen |
virtual mandala project: The Bardo mandala |
|
The Dalai Lamas |
|
Collection of Japanese bamboo |
|
Tibet as Myth |
|
Contemporary Tibetan Art |
| Brauen Willson |
Icons Worthwhile to See |
| Donati |
Digitisation and treatment of field research photographs by Prof. Dr. Michael Oppitz |
| Flitsch |
Doing the potters work in a squatting body posture - Dimensions of a body technique |
|
The Art of Falsifying |
| Gerber |
33rd American Indian Workshop |
| Gerber Biasio |
Welcome Art? Prints from Canada and Ethiopia. A chapter of the collection and exhibition history of the Ethnographic Museum |
| Iselin |
Archeology of Design and Ethnology: the historical perception of non-european artifacts |
| Isler |
Pictorial representations of Muhammads journey to heaven |
| Kaiser |
PATCHITRA: Bengali Scroll-Painting in a Changing Environment |
| Kind |
The Bon Landscape of Dolpo, Nepal |
| Kümin |
Longterm storage of historical ethnographic photographs |
|
IMAGES OF EXACTITUDE
Drawings and photographs from brazilian expeditions during the 19th century.
|
| N.N. |
The Maya Textile Collection, Guatemala |
|
The Mola Textile Collection, Cuna, Panama |
| Oppitz |
Morphology of the shamanic drum |
|
Himalayan Drawings |
|
Material Culture, Oral Traditions and Identity among the Naga in Northeast-India |
|
The Myth of Lost Scriptures |
|
From painting to writing |
| Schaedler |
angry monk - reflections on tibet
(a documentary film project) |
| Szalay |
Archive Research Han Coray |
|
Sirius! - Honey Bird! or "The Moon as a Shoe". San-Drawings |
|
Concepts of African Art in the Collection of the Ethnographic Museum of Zurich University |
| Tecklenburg |
A study of Lakota-shamanism |
| Vogelsanger |
Black Madonna |
| Vogelsanger Wyss-Giacosa Isler |
Indian Religions Mirrored in Pictorial Representations |
| von Stockhausen |
The Image of the Naga: Visual Constructions of Cultural Identity in the Photography of the 1930ies. |
| von Wyss-Giacosa |
Images of religion in the early enlightenment. Bernard Picart's corpus of illustrations for the Cérémonies et Coutumes Religieuses de tous les Peuples du Monde |
| Wernsdörfer |
The Culture of the Cultural Revolution
Personality Cult and Political Design in Mao Zedong’s China
|
| Wettstein |
The Textiles of the Ao Naga and their Meaning for Social Structure and
Cultural Identity
|
| Wu |
Experiencing Modernisation – Work, Solidarity and Community Dynamics in Two Chinese Villages in Comparison |
|
Academic continuity under socialist paradigms – About the ethnographic research project “Social Historical Survey of Ethnic Minorities” (1956-1964) in China |
| Wu Flitsch |
Chinese Anthropology and Anthropology of China 1949–1980 |
| Wyss-Giacosa |
Exotic Currencies |
| Wyss-Giacosa Isler |
A European gaze at India. Travel accounts from the 16th to the 18th centuries |
